June has arrived. We’re in to the middle of the year 2020. And everything is still weird. I guess we’re all just trying to make the best of what is turning out to be one of the strangest years I can remember. Part of me just wants it to be over. Fast forward to January 2021. But there’s no way to tell if things will be any better by then. And I’m too old to be willing to give up six months of my time. So thank goodness we still have access to music and art. I miss the energy of seeing bands live, but I still have the ability to search out and find new (and sometimes old) music that can lift the spirits or make you think. With that in mind, let’s take a look at what’s cooking this month.
First Up: Six Organs Of Admittance – ‘The 101’
One of the main thoughts constantly going through my head right now is “I wish I was……..”. I wish I was hiking the edge of a cliff, going to view a glacier. I wish I was on a deep forest trail. This song is ‘I wish I were on a two lane road, cruising up the California coast’. Route 101 runs up the west coast from Los Angeles, California to northern Washington. The song captures that windows down, cruising feel. Nice mix of acoustic and electric sounds. The acoustic repeating riffs create that trance like repetition with bursts of electric jam noise rolling in and out of the mix. The vocals are buried in the mix and maintain the trance inducing effect, like singing words to a song when you don’t really know the lyrics (yup – do that all the time). I also like the video. The idea of hauling my guitar rig in to deserted woods and jamming away (yeah, I know, no electricity – remember, this is ‘I wish’). Great shots of the strange and beautiful sights you see on that road. Roll down your windows and smoke ’em if ya got ’em.
Next Up: Fire In The Radio – ‘Tulare’
Tulare is a great example of classic indie rock. The mix is exactly what I would want in a song. Instruments and vocals all hold their own clearly audible place in the mix. The guitars have a nice buzz but are crisp and sharp. Perfect snap on the snare drum, high enough in the mix to drive everything forward without over powering it. Changes in dynamics pull you in to the song. The band said they were trying to create a feel of nostalgia with the song and video and I think they absolutely achieved their goal. The video mix of band performance and old video scenes are a perfect background for the song, enhancing the feel of nostalgia the song is trying to deliver. There are many ways to enjoy a song. The movement and sound of each instrument, the sonic kick of a well placed chord or a change in dynamics. But one of the best is the emotion a song can make you feel. ‘Tulare’ certainly delivers that emotion.
Finally: Smoke Fairies – ‘Disconnect’
We’ll finish up with Smoke Fairies ‘Disconnect’ from their album ‘Darkness Brings The Wonders Home’. It seems that I’ve put in three songs this month that all carry some emotional weight. In this song the emotion really comes to the front in the vocals and lyrics. They are put out in front of the musical elements of the song. The main vocal has a sad minor key feel and is presented in a lower register. The harmonies drift behind the main vocal. The music is carried by a guitar riff in the verses that turns to a more distorted chord pattern in the chorus. The drum sound in the back is pretty dry without a lot of reverb that would usually make the snare sound bigger. The main vocals are also relatively dry, which puts them more ‘in your face’. It was a good choice for this song. Little mixing choices like that are really important in making a song ‘feel’ a certain way. I think they made all the right choices in ‘Disconnect’.
Retro: X – ‘The Have Nots’
X has to be one the most underappreciated bands to come out of the punk era. They put out a string of consistently amazing albums beginning with their debut album ‘Los Angeles’ (note – X just released a new album with the original line up). They mixed punk with rockabilly, indie rock, Americana and variety of other genres to create an amazing sound. On top was the always strange and interesting vocal mix of Exene and John Doe, with lyrics that ran more towards beat poetry than punk screaming. I’ve always felt that Billy Zoom’s guitar playing was far above what you would hear in most rock bands, especially for bands that were put in to the ‘punk’ category. If you’ve ever worked at a job that was just a ‘job’ and remember surviving the day so you could meet your friends at the local dive, this song was written for you. Truth in lyrics = “Dawn comes soon enough for the working class. It keeps getting sooner or later. This is the game that moves as you play”.