Greetings. We’re back with another tune to be messed with. This time we’re honoring ‘Novocaine For The Soul’ by Eels. This was a fun song to work with. I really enjoy the anthemic, sing along nature of the song. Again, we stayed basically acoustic except for the bass guitar. The song has 12 string guitar, bass, mandolin, six string banjo and a little percussion with tambourine and egg shaker.
To give a wider, stereo feel the 12 string guitar foundation track was played twice and panned hard stereo left and right. I think giving a track a wide stereo sound is important and playing a duplicate instrument track is a great way to do it. The two tracks can be very similar, but will almost never be identical (unless you force that with computer manipulation) so you hear each track distinctly from each channel. We worked the same concept with the vocal tracks, recording the main vocal twice and adding two harmony tracks.
Another thing that made this song interesting was the key. We don’t usually change the song from the original key. Specific keys do give songs a certain feel. Major key versus minor key or in this case having the song in D flat instead of D. In the original song they did this by using capos on the guitars. We ended up down tuning the 12 string guitar a half note and transposing the chords so the guitar could be played in first position for a fuller, richer sound. A capo was used on the 6 string banjo. We also added a second mandolin track that acts as a ‘voice’, along the lines of playing a guitar lead.
We may not have said this before, but all the Messin’ songs are played by Electrostatic Rhythm Pigs. You can find these songs and the band’s original music on our SoundCloud account (we have links on this site). We’re also slowly adding all the band’s songs to our YouTube channel (here’s a link to our YouTube channel): https://www.youtube.com/channel/UC0vVN4p_KzvLg1DEuUSJoqw
This is the season for sharing. So please share our songs and videos with your friends. Add them to your Facebook feeds. Become a follower of our blog. Email us with questions or comments. We really appreciate your support.
Finally. Thursday night at the Sellersville Theater I got to see Reverend Peyton’s Big Damn Band. We’ve done several posts on them, first back around 2010 when ‘The Wages’ album came out. It’s been a long wait for a live show that I could get to. Summation of the show: great music, great performance, non-stop energy, absolutely worth the wait and I’d go see them again if they were back tomorrow. Crazy full live sound for a band with only one melodic instrument. This is the type of music I’ve really fallen in love with. Rev Peyton’s set up is simple – a guitar goes to an amp. No pedals, or extra electronics added. He plays mostly vintage guitars. Then you add Breezy Peyton on the washboard and Max Senteney on a small drum kit and make an amazingly full sound. They added a little more at the end of the show by having opening act J.D. Wilkes join them on butt kicking harmonica.
And they’re the kind of act you have to see live, especially at a more intimate venue. Loads of fun and personality. Audience participation requested and required. Non stop energy throughout the show. A good time is had by all. Stripping away instrumentation and effects makes it feel raw. It’s the total opposite of computer perfect songs and for me that makes the music feel alive. Blues you can head bang to. The Rev goes though multiple guitars from vintage resonators to three string cigar box, often switching guitars during songs.
I don’t really do phone videos when I’m at shows. I’m adding a couple of live videos that have much better quality than I would get. They’re two songs I really like, ‘Clap Your Hands’ and ‘Front Porch Trained’.
If you ever have the opportunity to see Reverend Peyton’s Big Damn Band live, grab a ticket when you can. You won’t be disappointed. I’d also say if you find a band you love, support them. Go to the shows, buy some CDs and merch (the Rev has some cool T-shirts). This band plays about 250 shows a year without a big label record contract. And puts out total energy each show. This is the kind of band that deserves support.
I’m finding that sometimes the monthly grapevine songs fall in to a similar theme or style. I don’t know if it’s due to the mood I’m in, the weather, or just sheer luck. That seems to have happened this month. Or it could be my imagination………..or the voices……….ummmmmmm…… sorry got off track there (feel free to comment on similarities you see). Anyway, off we go…
Saron Van Etten – ‘Memorial Day’
Nothing cheers me up more on a cold, rainy day than a good drone. Yes, I’m serious. I like the simple drums. The drone buzz here is carried by the fuzzed out bass. The keyboards have their own repeating rifts with a nice piece of droning noise in the background. The vocals play off of this, floating on top. And you get to see how it’s generated live. Always cool to visually see how parts go together. Putting all the relatively simple pieces together in their own little orbits makes the sound mesmerizing.
The Willows – ‘False Light’
I liked the mix of sounds on this one. It’s built on a ‘folk’ feel. But it has the electric guitar layering in the background with a lot of sustain and reverb as well as a more standard drum kit. Although not truly a ‘live’ video, you do get shots of matched performance footage so you can see what/how people are playing. I like the banjo player playing it more like a guitar with a regular guitar pick style. Banjo is often thought of only in terms of bluegrass and it’s interesting seeing it put to different use.
Baskery – ‘Wanna Tattoo’
So we have another video of what I call ‘matched performance’ playing along to the recorded song. I really liked the song when I first heard it. I’ve been in to good ol’ swampy blues music from Creedence Clearwater Revival, though The Gun Club and The Immortal Lee County Killers. So this simple, buzzy thump caught my ear. Then I saw this video. Now it’s even more fun. Fuzz on the double bass! Floor pedaled kick and snare! A six string banjo with distortion and slide (while playing the foot drums)! Recording wise, just enough reverb on the vocals and all the instruments are crystal clear. Now that’s a party.
Adding some retro:
Echo And The Bunnymen – ‘All That Jazz’
Sometimes I’m listening to an album I’ve heard a million times before and I have that little flashback of why I loved it in the first place and why it still sounds great. This song is from Echo And The Bunnymen’s first album ‘Crocodiles’. Starting with simple riffed bass and drums with vocals, it explodes in to heavily trebled guitar, drops back down and starts all over again. The vocals match the intensity of the parts being played. I did a lot of recording where I was working for that whip crack snare sound. Even the bass has a good amount of attack on it. All the components have their own clear space in the mix. This album will never grow old for me.
Time for another addition of ‘Messin With The Music’. Last post we spoke of our love for dark, swampy ‘Southern Gothic’ styles of music. So as we were thinking of what to ‘mess with’ next I naturally thought of one of our all time favorite bands, The Gun Club. We’ve visited them before – you can find our cover of ‘Ghost On The Highway’ on our SoundCloud site. The recording of this one has followed our same Messin’ philosophy – minimal takes, minimal mics, recording tracks straight through. The difference was this song was begging for electric guitar, lots of crunchy distortion and tons of reverb. We kept it minimal with bass, hand percussion and vocals (you’ll also hear a howlin’ surprise visit from Bonnie and Samantha).
We’re already working on the next tune in the series and it’s another bit of a sharp turn. For now, turn down the lights, crank up the volume and enjoy The Gun Club’s ‘Death Party’.
With a new year unfolding I thought it would be a good time to present some more bands that released albums in 2018 that I enjoyed and got the gears in my brain turning.
First, Parquet Courts ‘Wide Awake’. The song reminds me of much of the ‘post-punk’ funk I enjoyed from the 1980’s, like Talking Heads first forays in to that style.
I’d recommend getting the full Wide Awake CD. They play a variety of styles on the album, all of them really well done. Also really enjoyed the song ‘Total Football’. I still buy full CD albums. First, I like hearing the songs in wav format as compared to MP3s. Second, support the bands you like.
Another great album from last year was Holly Golightly and the Brokeoffs ‘Clippety Clop’. An album of stripped down covers and traditionals many of them with that old time ‘Southern Gothic’ feel. Like hand pluckin’ an acoustic guitar sittin’ on a tombstone in a cemetery at twilight (and yes, I already know I’m a bit odd). First song is ‘Horses In The Mines’.
They also do a cover of the traditional ‘Two White Horses’. You can find an early version of the song by The Two Poor Boys on YouTube. Here’s the Brokeoffs version:
As I listened to it, it seemed familiar from somewhere else. Beck did a wonderfully spooky rewrite version of it on his Guero album. He kept the basic tag line of the song and wrote his own chords and verses to come up with ‘Farewell Ride’. For years musicians have worked from old traditional songs. Wonderfully done shivers.
‘Till we meet again.
Discovered these gals in one of my magazines I subscribe to. This Aussie trio is up and coming and all of their songs are great… the song featured here is one that really spoke to me.
Just wanted to throw out a few thoughts on some items I think deserve some ink. The kind of wonderful distractions from the ‘real world’ that keep me going.
Always a great pleasure to drop in a new track from The Record Company. For your listening pleasure, ‘Life to Fix’:
An introduction to some of the invaluable staff at ChurchHouse Productions. I’d like you to meet our ‘in-house’ Public Relations staff:
She’s been a wonderful greeter and is a 24/7 studio pup. Bonnie loves to spend time in the mixing room.
And never hesitates to let me know what she thinks of a mix.
I believe the feedback was “I’m outta here…”
Besides being the owner of the famous ‘hound howl’ she’s a fanatical lover of David Lynch movies.
Although the aftermath of her watching a movie puts her in a bit of a ‘Lynchian’ mood (“this bed belongs to me now”).
Love them both and ChurchHouse wouldn’t be the same without them.
Shout out to a wonderful, old fashioned record store in Jim Thorpe, Pa, Soundcheck Records. The kind of place I grew up with and sadly are hard to find in today’s world. Let’s cross our fingers that vinyl and stores like this make a big comeback. If you’re up in Jim Thorpe it’s a must to check out.
We’ll be rolling out another song at the end of September. We’ll keep the title a surprise until then but as with the last song, we sort of broke it down and did some rebuild. Gotta have some fun.
Found these two by happenstance – was on my phone cruising around online and this video was a recommendation, so I checked out other videos. I love the laid back, fun loving attitude they have and their spin on cover tunes that range from Black Sabbath to of Little Richard. It is inspiring to see a younger generation just have fun with the stuff they create, whether it is original or cover material. I also am digging the range of decades in music… in short, they are really cool and fun to watch. I happen to also really like the slide guitarist who plays a unique way – anyway – enough babbling.
Preachin’ Blues – Larkin Poe
Got to see these guys play a couple weeks back – if you haven’t check out some previous posts here. This was a great show and they played some songs from there upcoming album (totally PSYCHED) to be released soon.
They played Sabotage by The Beastie Boys – or their rendition – which was pretty rockin’. This was a video of it I found from December when they played another place…
We’ve often shared studio set-ups and ideas on our blog and on YouTube videos. I’ve never considered what we do as ‘giving advice’. ‘Advice’ has a connotation of being an expert at something and passing along that expert knowledge…………yeah, no. We try different things and share the ones that work well for us. The important part for us and anybody who’s recording or writing music is try different things. See what works in your space with your equipment. A small change in mic placement can open a whole new sound.
I recently had the pleasure of working with three young musicians from Ohio. Very talented and very enthusiastic about doing music. Working with people you haven’t recorded with before is always exiting – falls under ‘try different things’. Had a great day recording and the mixing and mastering process worked out pretty well. Overall a thoroughly enjoyable experience. And it got me thinking about ‘advice’ again. If someone asks for ‘advice’ about what I think you need to make a good recording:
Tip # 1 (see, still not ‘advice’, just a tip)
Tip # 1 – Record a good song
Tip # 2 – Work with talented people
And there you have it. Pretty simple. I’ve heard good songs with lousy recordings – they’re still good songs. So as an engineer you try to not screw it up. When you mix, highlight the song, no tricks needed. Keep the dynamics when you master. Our recording set-up was even simple. One mic for the vocals and two for the guitar.
So in the spirit of recording good songs with talented people here’s the song we finished that day. The musician is Matthew Bock and the song is ‘Standstill’.
I certainly hope to be working more with these guys in the future. I would guess they have a lot of music in the pipeline.
Pictured below at ChurchHouse Studios Matt, Jared, Grant (l to r).