End Of Year Influences

With a new year unfolding I thought it would be a good time to present some more bands that released albums in 2018 that I enjoyed and got the gears in my brain turning.

First, Parquet Courts ‘Wide Awake’. The song reminds me of much of the ‘post-punk’ funk I enjoyed from the 1980’s, like Talking Heads first forays in to that style.

 

I’d recommend getting the full Wide Awake CD. They play a variety of styles on the album, all of them really well done. Also really enjoyed the song ‘Total Football’. I still buy full CD albums. First, I like hearing the songs in wav format as compared to MP3s. Second, support the bands you like.

Another great album from last year was Holly Golightly and the Brokeoffs ‘Clippety Clop’. An album of stripped down covers and traditionals many of them with that old time ‘Southern Gothic’ feel. Like hand pluckin’ an acoustic guitar sittin’ on a tombstone in a cemetery at twilight (and yes, I already know I’m a bit odd). First song is ‘Horses In The Mines’.

They also do a cover of the traditional ‘Two White Horses’. You can find an early version of the song by The Two Poor Boys on YouTube. Here’s the Brokeoffs version:

As I listened to it, it seemed familiar from somewhere else. Beck did a wonderfully spooky rewrite version of it on his Guero album. He kept the basic tag line of the song and wrote his own chords and verses to come up with ‘Farewell Ride’. For years musicians have worked from old traditional songs. Wonderfully done shivers.

‘Till we meet again.

 

 

 

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Camp Cope – How to Socialize and Make Friends

Discovered these gals in one of my magazines I subscribe to.  This Aussie trio is up and coming and all of their songs are great… the song featured here is one that really spoke to me.

Enjoy!

Messin’ With The Music Part 2

As we work with more acoustic instruments and try different techniques to record, we want to take you all along on the ride with us. Our first installment was in the post ‘Start At The Beginning’ where we worked our way through an acoustic version of Ween’s ‘It’s Gonna Be A Long Night’. In this post we take a similar path with The Cure’s ‘The Lovecats’.

We’re starting our recording journey with the most basic recording steps. Each instrument is recorded with one microphone (sometimes using the same mic and setup for multiple instrument tracks) and we’re recording one take for each instrument (other than vocals where we’ll usually have more than one track). We do some punch ins, but for the most part keep it as ‘live’ sounding as possible. In other words we’re not going to edit or digitally fix every string squeak or change in dynamics. It’s an attempt to see what we get if you go back to a time when studios couldn’t digitally enhance or ‘fix’ every little blip. What you play is what you get. As we go along through the songs we’ll describe the changes and additions to the recording process (adding electric instruments and multiple takes will come in to play in future recordings).

As you listen to ‘The Lovecats’ see if you can pick up the instruments that were tracked: acoustic six string guitar, five string banjo, six string banjo, mandolin, twelve string guitar and fretless bass guitar. Hope you enjoy our version. In the meantime, we’re already working on the next song.

– ‘The Lovecats’ by The Cure:

 

A Couple Of Things….

Just wanted to throw out a few thoughts on some items I think deserve some ink. The kind of wonderful distractions from the ‘real world’ that keep me going.

First,

Always a great pleasure to drop in a new track from The Record Company. For your listening pleasure, ‘Life to Fix’:

 

Second,

An introduction to some of the invaluable staff at ChurchHouse Productions. I’d like you to meet our ‘in-house’ Public Relations staff:

Bonnie Blue

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She’s been a wonderful greeter and is a 24/7 studio pup. Bonnie loves to spend time in the mixing room.

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And never hesitates to let me know what she thinks of a mix.

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I believe the feedback was “I’m outta here…”

Samantha

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Besides being the owner of the famous ‘hound howl’ she’s a fanatical lover of David Lynch movies.

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Although the aftermath of her watching a movie puts her in a bit of a ‘Lynchian’ mood (“this bed belongs to me now”).

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Love them both and ChurchHouse wouldn’t be the same without them.

Third,

Shout out to a wonderful, old fashioned record store in Jim Thorpe, Pa, Soundcheck Records. The kind of place I grew up with and sadly are hard to find in today’s world. Let’s cross our fingers that vinyl and stores like this make a big comeback. If you’re up in Jim Thorpe it’s a must to check out.

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Finally,

We’ll be rolling out another song at the end of September. We’ll keep the title a surprise until then but as with the last song, we sort of broke it down and did some rebuild. Gotta have some fun.

 

Start At the Beginning

Time has a way of passing us all by. Blink and another year passes. Close your eyes and who knows when you’ll wake up……  I felt that I was in the creative equivalent of neutral for a few years. Lots of ideas, not a lot of execution. So at the end of 2017 we decided to try something new for both the writing and recording process. Americana, bluegrass and ‘old time’ country have added a lot to our listening lists for a while now, so the idea of using more acoustic instruments made sense.

The voicing of the variety of acoustic instruments makes all of them very audible in a song mix. Two acoustic guitars might step on each other, but add mandolin or banjo and they stand out. Hand percussion. Twelve string guitar. Fretless bass. Whatever’s laying around. Oh, we’re not abandoning loud, reverby feedback guitars. Just stirring it all in. You might associate the acoustic instruments with bluegrass music but we’re not looking to work in that style. Or maybe yes. Anything’s possible.

So to learn how the instruments sound together, how to arrange the songs, how to do mic placement, what pre-amps to use, what effects, etc, etc, we decided to re-imagine some cover songs we like. Some of the songs will be quickly recorded, some will have more production. We’ll also be starting to work more with video, both ‘live’ and produced. In the mean time we’re writing and recording new original material. Stick around, it should be interesting.

First song up: ‘It’s Gonna Be A Long Night’ by Ween. Did you ever know one of those “I can drink anyone under the table” types. Ween evidently did. Times 100.

We encourage you to listen to the original versions of the songs we cover. Always good to check songs out, especially if you’ve never heard it before. Hope you enjoy it. Back at you soon.

Larkin Poe – Preaching Blues and Mad as a Hatter

Found these two by happenstance – was on my phone cruising around online and this video was a recommendation, so I checked out other videos.  I love the laid back, fun loving attitude they have and their spin on cover tunes that range from Black Sabbath to of Little Richard.  It is inspiring to see a younger generation just have fun with the stuff they create, whether it is original or cover material.  I also am digging the range of decades in music… in short, they are really cool and fun to watch.  I happen to also really like the slide guitarist who plays a unique way – anyway – enough babbling.

Preachin’ Blues – Larkin Poe

The Record Company – Musikfest Cafe

Got to see these guys play a couple weeks back – if you haven’t check out some previous posts here.  This was a great show and they played some songs from there upcoming album (totally PSYCHED) to be released soon.

The Record Company – Bethlehem PA

They played Sabotage by The Beastie Boys – or their rendition – which was pretty rockin’.  This was a video of it I found from December when they played another place…

The Best Non-Advice

We’ve often shared studio set-ups and ideas on our blog and on YouTube videos. I’ve never considered what we do as ‘giving advice’. ‘Advice’ has a connotation of being an expert at something and passing along that expert knowledge…………yeah, no. We try different things and share the ones that work well for us. The important part for us and anybody who’s recording or writing music is try different things. See what works in your space with your equipment. A small change in mic placement can open a whole new sound.

I recently had the pleasure of working with three young musicians from Ohio. Very talented and very enthusiastic about doing music. Working with people you haven’t recorded with before is always exiting – falls under ‘try different things’. Had a great day recording and the mixing and mastering process worked out pretty well. Overall a thoroughly enjoyable experience. And it got me thinking about ‘advice’ again. If someone asks for ‘advice’ about what I think you need to make a good recording:

Tip # 1 (see, still not ‘advice’, just a tip)

Tip # 1 – Record a good song

Tip # 2 – Work with talented people

And there you have it. Pretty simple. I’ve heard good songs with lousy recordings – they’re still good songs. So as an engineer you try to not screw it up. When you mix, highlight the song, no tricks needed. Keep the dynamics when you master. Our recording set-up was even simple. One mic for the vocals and two for the guitar.

So in the spirit of recording good songs with talented people here’s the song we finished that day. The musician is Matthew Bock and the song is ‘Standstill’.

 

I certainly hope to be working more with these guys in the future. I would guess they have a lot of music in the pipeline.

Pictured below at ChurchHouse Studios Matt, Jared, Grant (l to r).

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Good reads and good tunes

I stumbled across this song from a book I read called Stillhouse Lake, by Rachel Caine – good read and the music she lists at the end is awesome.  So check it out.

This is one of the titles I particularly liked – and of course, the lyrics are way cool – the beat is catchy.

Lo Fidelity All Stars – Battleflag (came out around 2008, um, where have I been?)

So on to serious business… I have a great surprise coming out next week from the studio.  Got to work with a really great guy and had a great time recording with him.

Until next week, hit play and turn it up!