Tagged: The Dead South

The Dead South Messes With Some Music

If you’ve followed our blog for a while you know we have a series we call ‘Messin With The Music’ where we take songs we like and do cover versions of them. We didn’t want to do mirror image covers of the songs. The fun is in taking the song and trying to do something a bit different with them. So far we’ve done that by playing the songs in a more stripped down acoustic fashion. At times that makes the songs have less instrumentation and other times the songs will have more instrumentation than the original. It all depends on where we want to take the song to add some of our own personality to it.

We’ve reviewed music by The Dead South before. They’ve taken the instrumentation and feel of Bluegrass and Americana and added their own twist to it. So you’ll usually see them using guitar, banjo, mandolin and cello to perform their songs. I especially enjoy watching the videos where they use the cello as the bass part and carry it like you would wear and play an electric bass. Again, a nice little change up that makes what they’re doing a bit more unique. Even with their instrumentation, they’ve always said that they’re not really a ‘bluegrass band’ since they don’t do the songs in a typical bluegrass style of playing.

I came across a couple of cover songs they’ve done videos for. I’m going to put a video of the original song along with it so you can hear the differences.

‘People Are Strange’ by The Doors

Originally recorded by The Doors for their album ‘Strange Days’ in 1967. The original is spooky with an almost carnival like feel especially with the way the keyboard sounds. The Dead South definitely kept the same feel going even with the difference in instrumentation. The percussive nature of bluegrass instrumentation keeps a beat going even without a drum kit. I also like the funny ‘flying banjo UFO’ video they came up with that really shows their off beat humor.

‘Money’ by The Beaches

The Beaches are a Canadian rock band that formed in 2013. Their original version is guitar driven pop punk. I like that The Dead South took a song that is not as well known to work in to a cover version. Their version adds a much more Americana based feel and beat to the song, especially the banjo parts. The video is a live version of the cover, so you get to hear it without any studio mixing and polish. By the way, The Dead South are also a Canadian based band. Good things from up north.

‘House Of The Rising Sun’ – traditional song, this version by The Animals

House Of The Rising Sun is a traditional folk song covered by a wide variety of artists. The version that is probably the best known was recorded by The Animals in 1964. That’s the version we’ll be looking at here along with the version by The Dead South. In this case we’re looking at two cover versions and the way two different bands decided to interpret a song. I like the comparison between these two versions as The Animals take on the song is heavy on electric guitar and keyboard so you can hear really hear some differences. In some ways The Dead South’s version is probably closer to the song’s origins as a folk tune. The Dead South version in the video sticks to the slower traditional feel until they speed it up and go full blast at around the 1:20 mark. Great stuff!

Let’s Talk. Classifying Music – Can You Judge A Book By It’s Cover?

You read a music review in a magazine or online. In the topic line or in the body of the article the reviewer delivers a quick description of the artist being reviewed: ‘punk rock’, ‘bluegrass’, ‘heavy metal’, ‘pop rock’, ‘funk’, ‘hardcore’, ‘classical’. Those are just some basic labels. The labeling can become extremely micro: ‘psychedelic dance party industrial flaming death rock’. We’ve touched on this phenomena a lot on this blog, particularly when reviewing songs in the Grapevine articles. But is this practice good, bad or not important at all? I believe that all of those interpretations can be accurate.

There’s nothing inherently wrong with attempting to label music. There is a vast amount of musical material available. People writing reviews are usually trying to give you a short synopsis of the music so you can decide if you want to listen. I cruise through musical ‘labels’ all the time to help decide if I want to delve deeper in to a band. But as I’ve stated before, this can have a limiting effect and cause you to miss a lot of music that you might actually like. Or it might help you look for a specific musical style online by doing a search for a musical ‘label’ to find new bands. It’s just info. You get to decide how to use it.

Let’s take an example. The Dead South is a band I’ve reviewed before. Let’s take a look at their video for the song ‘Black Lung’:

If you look at how they dress and the instruments they are playing your first thought might be bluegrass music. But is it? In articles I’ve read the band itself has often stated that they don’t consider themselves bluegrass musicians. And if you really listen to the song, I don’t think I’d consider it traditional bluegrass. This song might fall better in to Americana or folk – but again, you’d be describing the music by using a label. Some of their other songs carry a total different vibe. We have talked about this in our Messin’ With The Music series. Electrostatic Rhythm Pigs use mostly acoustic instruments when recording the covers. Again, the mandolin, banjo, acoustic guitar, etc are often associated with bluegrass. We’ve consistently stated that we’re not attempting to do ‘bluegrass’ covers of the tunes despite the instrumentation. This pulls in another part of the overall picture. A band wants to present an image that they can be associated with. How you dress, how you look, the instruments you use help construct your image. It’s another form of a label. Fans are looking for something to latch on to. But it’s a label the band creates for themselves. If it’s in the band’s control, I think it’s a good thing. There are limitless examples of record labels creating an image for a band, often with disastrous results.

Let’s listen to another song. This is ‘Radio Clash’ by The Clash:

The Clash have always been considered as one of the great ‘punk’ bands. Is ‘Radio Clash’ a punk song? Musically, I’d be hard pressed to drop the song in to that category. But…….listen to the lyrics. They certainly embody the anti-authority, anti big business attitude of punk. One of the reasons that The Clash are a great band (in my opinion) is the wide variety of musical styles they covered in their career. Even though the music touches a lot of styles, the lyrics and attitude are pretty consistent. They were all about destroying ‘labels’, which in itself was part of their band identity. The Clash controlled their own identity and musical style. You can’t ask for more than that.

How about another one:

White Zombie’s ‘More Human Than Human’. Is it metal? Is it industrial? Hard rock? I can tell you what a great song it is in a dance club. So, can we label it? Would tacking a label on this song cause a lot of people to miss hearing it? If a song is really good, it can sometimes break through barriers and be heard by a wide variety of people (this video has over 31 million views). So labeling can be a two edged sword. Some bands will break through labeling and be successful. The vast majority of bands will never have this level of success. Maybe ‘classifying’ their music will help them, maybe it will hurt them. I think the most important part of the equation is the control the actual band has over their classification and image. If I’m in a band, I want to control my own music. This rolls right in to the topic of bands intentionally misrepresenting their style of music and image. I think that’s totally up to the band. You might present yourself one way to get more publicity. This might work and get people to view you and like what they hear. It could also backfire – “these guys call themselves country music? What a bunch of poseurs”. As long as the band controls their fate it works for me. Who doesn’t want to control their own fate?

One thing I miss that was always part of finding and classifying music is the vinyl album cover (although vinyl has made somewhat of a small comeback). You used to be able to browse in a record store and flip through this wonderful art. A lot of thought went in to the album cover design and the visuals were often created to bring to mind a certain classification of music. Does this Grateful Dead cover for ‘American Beauty’ catch your eye? Does it give you an idea of what the musical style would be? Would you buy the album just because of the album art?

Classifying items is a big part of how the human mind works. This is definitely true in almost any type of art. In the last couple of years I’ve fallen in love with landscape photography. I use many of the images for still pictures on videos on our YouTube channel. The following picture was taken in Yellowstone National Park. I altered it to fit with the music for a Steaming Mulch song. Is it still ‘landscape photography’? Does the viewer get to decide? My final thought – art is subjective. You make the call.