Catching The Sonic Monster

How you print sound to tracks is the one of the first stages of the actual ‘recording’ process. There are millions of ways to go about doing this. This part of the recording process can be broken down to two overall categories to start with: do you record the sounds ‘clean’ to the tracks andContinue reading “Catching The Sonic Monster”

Time Machine

We’ve covered many different avenues of the recording process in previous posts. I’ve come across two different items that present an inside look at recording before the ‘digital revolution’. The first is a recording of the Queen song ‘Under Pressure’. Most people have probably heard the song before. What’s recently been released is the vocalsContinue reading “Time Machine”

So Many Choices………

When you begin to work on recording in your personal or project studio, what do you think is the most difficult instrument to record? All instruments (including voice) have their challenges. I think many people have found that recording live drums presented the greatest challenge. There are so many microphones, placements and techniques that itContinue reading “So Many Choices………”

Recording Quality – Paradise Lost? Part 2

In Part 1 of our overview of recording quality we covered the trend in recording to make things ‘loud’ and the loss of dynamics and quality that result. Part 2 covers the next part of the equation – how to maintain quality sound when the source of the music is the internet. Because of fileContinue reading “Recording Quality – Paradise Lost? Part 2”

Recording Quality – Paradise Lost? Part 1

Has anyone noticed something missing from today’s recorded music? It seems that recording quality, once the keystone of captured music, may be going the way of the dinosaur. We’re not talking about the ‘lo-fi’ ethic which intentionally keeps the sound raw and immediate. What we’re seeing is a downgrading of sonic quality for a varietyContinue reading “Recording Quality – Paradise Lost? Part 1”