Welcome to 2022! Another year has flown by. At this point I can’t say whether that is good or bad. Some things I wished would last forever (think vacation hiking, making music, friends and photography). The rest of the year? Meh. I was hoping the general tone of our world would improve and it sort of did, but just a smidge. We should certainly be able to do better. So we’re going to start 2022 on the blog by looking back. As we were searching through our files at the end of the year, we came across music that has never really seen the light of day. We decided to start releasing some of it online and began the ‘From The Vault’ series towards the end of last year.
For this edition of From The Vault we have a song recorded at the crossroads of Conduit changing in to Electrostatic Rhythm Pigs. We had a number of songs we were working on and decided the best idea would be to record live versions of them and work on production versions of them later. But for anyone who writes songs, you’ll recognize how you’re constantly coming up with new ideas and sometimes the older ones end up disappearing under the layers of dust. So ‘From The Vault’ is blowing the dust off and tossing the songs in to the light. This song is titled ‘No Class Lines’. When we recorded this live version the band was a three piece. The bass part was overdubbed later. Another thing I find happens when you’re recording live is your beats per minute starts to have the zoomies. The production versions often slow down a bit because you’re working with a click track. But not always. So this could have ended up slower, but……it could have been faster. We’ll see if we ever decide to do a production version. For now, I hope you enjoy the tune.
We have another Electrostatic Rhythm Pigs ‘Live In The Studio’ performance for you. This time we recorded a live version of our song ‘The Wish’. This song was originally created with our previous band Conduit for the CD ‘Superior Olive’. You can find out more about the band and the CD version by visiting the website for our record label Velvet Wrinkle Wreckerds. The version in this video is performed with just vocals and acoustic guitar. That’s how we write most of our songs, so this gives you an idea of how we start out with a tune before we add all the other parts for the full studio version. This version is recorded with just two room microphones. We want our blog reading friends to have the feeling of sitting with us in the room as we play, so the video is live start to finish from turning on the camera to the end, comments, silly faces and all.
And….the story of the t-shirt. For anyone who’s not from the northeast US, ‘Live Free Or Die’ is the state motto of New Hampshire – it’s also on their license plates. New Hampshire is an awesomely beautiful state, so I wanted to give a ‘shout out’ in the video like when I wear national park t-shirts (please support and cherish your national parks). I always thought it was such a cool motto to have on a license plate. If you want great hiking, head to the White Mountain National Forest. Some wonderful, rock strewn trails to challenge you. I’ve included a photo from the last trip my wife and I took below .
Anyway, here’s the video – Electrostatic Rhythm Pigs performing ‘The Wish’ live in ChurchHouse Studio.
We just finished recording a new single in ChurchHouse studio for the band Lather Scream Moment. It’s their first recorded song of original music. They found our studio online and decided to record here after hearing some of our work. It’s great that a bunch of newer bands have continued the culture of low-fi garage music. The truth is that this style has never really gone away. At times it has gone ‘underground’, but always seems to bubble back to the top when a band with great songs breaks through to the mainstream. When I say ‘mainstream’ I’m really talking about getting some plays and recognition. I honestly could not tell you what’s in the Billboard Top 10. Anyway, this gives me hope for the future. You always want to see new bands put their music out in the public arena regardless of what style of music they play.
It was a fun recording session. Lots of noise and guitars. A bit of controlled chaos. They gave me some examples of what they hoped for in the mix. As a recording engineer that’s a huge help. If you have an idea of what you want, let me know ahead of time. If you want me to decide how to produce the song, I’m good with that too.
There’s been a lot of discussion in the news about ‘the suburbs’ lately. They said the lyrics are about people who want to ‘escape’ the cities and when they move out develop ‘suburban paranoia’. As far as distributing the song they talked about putting it out on cassette. There’s been a vinyl revival and I guess some areas and scenes are having a cassette revival as well. Since they’re not from the area, they said they’ll keep in touch and let me know how it goes. Hopefully we’ll get to work with them again.
So here you go: Lather Scream Moment – ‘Suburban Renewal’
For this post we have another remastered song by Steaming Mulch. It’s always fun posting a Steaming Mulch song because you never know what you’re going to get. This tune rolls through a variety of different parts. It starts with live drums, guitars and bass. As you go through the song you’ll hear vocals rolling in and out of the mix. They’re altered in a variety of ways – backwards, raising and lowering the pitch, cut and paste. The song moves in to an electronic beat. The band adds different electronic keyboard parts while the guitar floats along on top. In this song the vocals are used more as an instrument then a lyrical addition. Then live drums make their reappearance on top of the electronic beats. There are parts where the live drums have been cut in to smaller pieces and pasted back in to the song repeatedly or have been doubled. The drums have sometimes been distributed to separate stereo channels. The beats, whether live drums or electronic, tie everything together. As always, this is fun from a recording standpoint. You never quite know what’s going to happen. The songs usually have basic parts created before entering the studio, but a lot of parts are created during the recording process. You get extra credit if you can decipher what the vocals are saying (I seriously do not remember exactly what was being said – they don’t provide me with lyric sheets). Hope you have as much fun listening to it as I did recording it.
We’re back with another remastered version of a song by Steaming Mulch. This song is a bit different from the last two Steaming Mulch tunes we did recent posts on. The band doesn’t worry about maintaining any particular style. Different songs sometimes have different musicians sitting in to add a new flavor. This song has live drums (which are wild just on their own) with guitars, bass and some muted vocals (no movie clips here). Much of this song was recorded live. The players were in a room together to facilitate their ability to interact when playing. The drums were recorded using direct and room mics in the main studio room with the bass and guitar amps placed in other rooms in the studio to eliminate the amp sound bleeding in to the drum tracks. There were some overdubs completed afterwards, such as the vocals, but the main part of this song is pretty much a live take. I remember this recording as being incredibly loose and fun. Also challenging as doing any kind of ‘live’ recording is. Enjoy.
Our friends from Steaming Mulch have returned from the ether with a new track called ‘Hasten The Unglued Shadow Appears’. It was good to have them back in the studio. We’re also fortunate because of the way they like to record. They plan out the track well ahead of recording so everyone can show up individually, making it easier to record safely in our current environment. It’s been quite a while since their last recording, but once you start working, it’s like no time has passed. They’ve also said they have other tracks in mind, so hopefully Velvet Wrinkle Wreckerds won’t have as long a wait until more music appears. As they’ve done in other songs, this track also has some fun movie clips in it. But I won’t spoil the surprise. Enjoy.
Time has a way of passing us all by. Blink and another year passes. Close your eyes and who knows when you’ll wake up…… I felt that I was in the creative equivalent of neutral for a few years. Lots of ideas, not a lot of execution. So at the end of 2017 we decided to try something new for both the writing and recording process. Americana, bluegrass and ‘old time’ country have added a lot to our listening lists for a while now, so the idea of using more acoustic instruments made sense.
The voicing of the variety of acoustic instruments makes all of them very audible in a song mix. Two acoustic guitars might step on each other, but add mandolin or banjo and they stand out. Hand percussion. Twelve string guitar. Fretless bass. Whatever’s laying around. Oh, we’re not abandoning loud, reverby feedback guitars. Just stirring it all in. You might associate the acoustic instruments with bluegrass music but we’re not looking to work in that style. Or maybe yes. Anything’s possible.
So to learn how the instruments sound together, how to arrange the songs, how to do mic placement, what pre-amps to use, what effects, etc, etc, we decided to re-imagine some cover songs we like. Some of the songs will be quickly recorded, some will have more production. We’ll also be starting to work more with video, both ‘live’ and produced. In the mean time we’re writing and recording new original material. Stick around, it should be interesting.
First song up: ‘It’s Gonna Be A Long Night’ by Ween. Did you ever know one of those “I can drink anyone under the table” types. Ween evidently did. Times 100.
We encourage you to listen to the original versions of the songs we cover. Always good to check songs out, especially if you’ve never heard it before. Hope you enjoy it. Back at you soon.
Well, spring isn’t here yet (at least in the northeast) but the sun was out today, it was over 40 degrees (whoooo) and daylight savings time has begun. All in all as close to nice weather as it’s been around here for quite some time. Spring turns a young persons fancy to…….acoustic instruments (it also helps bring some of us out of hibernation). Over the winter months we’ve been collecting instruments for the studio to add some variety to our in house recording. Pictured below are some of the items we picked up.
Not that we’ll use everything in a traditional manner. The options are limitless. As are the variety of ways you can mic, amplify or record acoustic instruments. Here’s a video with some ideas for recording banjo.
You can count on us breaking the rules whenever possible (hhmmmm – phase shifter on mandolin?). So much to look forward to.
To add to the acoustic flavor, here’s a video of Trampled By Turtles live on NPR. Can’t you just feel spring in the sound?
Hope the weather heads to spring where ever you are.
It appears that the eclectic collective Steaming Mulch has finally spit out a new tune. We never quite know what we’re going to hear, but that makes it all the more interesting. The word is that there are more song partials traveling around the studio at ChurchHouse, so we should hear the next one soon……ish. Their sense of time does not mesh well with the real world. As always your guess is as good as ours as to the origins of the title (go ahead, guess. we’ll wait…………).
In the meantime…
‘Enormous And Turbo Smooth From Diamond To Rose’
Well, thought we’d throw everyone some free swag considering it’s the holidays (any holiday you believe in is fine with me). So we recorded a cover from one of our favorite bands, The Gun Club and put it on SoundCloud for you free. So you can have ‘Ghost On The Highway’ for your listening pleasure as a download (did I mention it’s free?). We had a lot of fun recording it – it’s pretty much a ‘studio live’ version. Hope you enjoy hearing it as much as we enjoyed doing it.
– Pass it along to all your friends – (hint – it’s free)