Without further ado – here is our latest release of the music video for Acetone… gotta love trains.
You can also listen to the song here on SoundCloud:
As we work with more acoustic instruments and try different techniques to record, we want to take you all along on the ride with us. Our first installment was in the post ‘Start At The Beginning’ where we worked our way through an acoustic version of Ween’s ‘It’s Gonna Be A Long Night’. In this post we take a similar path with The Cure’s ‘The Lovecats’.
We’re starting our recording journey with the most basic recording steps. Each instrument is recorded with one microphone (sometimes using the same mic and setup for multiple instrument tracks) and we’re recording one take for each instrument (other than vocals where we’ll usually have more than one track). We do some punch ins, but for the most part keep it as ‘live’ sounding as possible. In other words we’re not going to edit or digitally fix every string squeak or change in dynamics. It’s an attempt to see what we get if you go back to a time when studios couldn’t digitally enhance or ‘fix’ every little blip. What you play is what you get. As we go along through the songs we’ll describe the changes and additions to the recording process (adding electric instruments and multiple takes will come in to play in future recordings).
As you listen to ‘The Lovecats’ see if you can pick up the instruments that were tracked: acoustic six string guitar, five string banjo, six string banjo, mandolin, twelve string guitar and fretless bass guitar. Hope you enjoy our version. In the meantime, we’re already working on the next song.
– ‘The Lovecats’ by The Cure:
Time has a way of passing us all by. Blink and another year passes. Close your eyes and who knows when you’ll wake up…… I felt that I was in the creative equivalent of neutral for a few years. Lots of ideas, not a lot of execution. So at the end of 2017 we decided to try something new for both the writing and recording process. Americana, bluegrass and ‘old time’ country have added a lot to our listening lists for a while now, so the idea of using more acoustic instruments made sense.
The voicing of the variety of acoustic instruments makes all of them very audible in a song mix. Two acoustic guitars might step on each other, but add mandolin or banjo and they stand out. Hand percussion. Twelve string guitar. Fretless bass. Whatever’s laying around. Oh, we’re not abandoning loud, reverby feedback guitars. Just stirring it all in. You might associate the acoustic instruments with bluegrass music but we’re not looking to work in that style. Or maybe yes. Anything’s possible.
So to learn how the instruments sound together, how to arrange the songs, how to do mic placement, what pre-amps to use, what effects, etc, etc, we decided to re-imagine some cover songs we like. Some of the songs will be quickly recorded, some will have more production. We’ll also be starting to work more with video, both ‘live’ and produced. In the mean time we’re writing and recording new original material. Stick around, it should be interesting.
First song up: ‘It’s Gonna Be A Long Night’ by Ween. Did you ever know one of those “I can drink anyone under the table” types. Ween evidently did. Times 100.
We encourage you to listen to the original versions of the songs we cover. Always good to check songs out, especially if you’ve never heard it before. Hope you enjoy it. Back at you soon.
We’ve often shared studio set-ups and ideas on our blog and on YouTube videos. I’ve never considered what we do as ‘giving advice’. ‘Advice’ has a connotation of being an expert at something and passing along that expert knowledge…………yeah, no. We try different things and share the ones that work well for us. The important part for us and anybody who’s recording or writing music is try different things. See what works in your space with your equipment. A small change in mic placement can open a whole new sound.
I recently had the pleasure of working with three young musicians from Ohio. Very talented and very enthusiastic about doing music. Working with people you haven’t recorded with before is always exiting – falls under ‘try different things’. Had a great day recording and the mixing and mastering process worked out pretty well. Overall a thoroughly enjoyable experience. And it got me thinking about ‘advice’ again. If someone asks for ‘advice’ about what I think you need to make a good recording:
Tip # 1 (see, still not ‘advice’, just a tip)
Tip # 1 – Record a good song
Tip # 2 – Work with talented people
And there you have it. Pretty simple. I’ve heard good songs with lousy recordings – they’re still good songs. So as an engineer you try to not screw it up. When you mix, highlight the song, no tricks needed. Keep the dynamics when you master. Our recording set-up was even simple. One mic for the vocals and two for the guitar.
So in the spirit of recording good songs with talented people here’s the song we finished that day. The musician is Matthew Bock and the song is ‘Standstill’.
I certainly hope to be working more with these guys in the future. I would guess they have a lot of music in the pipeline.
Pictured below at ChurchHouse Studios Matt, Jared, Grant (l to r).
The Gun Club – this is a band that I still love to listen to and even as I get older, I can’t help but still love the way it sounds, the way it’s played, and mostly – I love doing this song. We enjoyed covering this song and have given serious thought about covering more of their songs. Without further ado – here it is again, Ghost on the Highway, or GOTH as we affectionately refer to it.
Yes, as the saying goes, time flies when you’re having fun. Well, time flies even when you’re not having fun. I’m not much of a winter person so it’s been a while between posts. So I think it’s time for another round of ‘what do these things have in common’. First let’s talk some music, old school style. When writing or recording you can get away with a lot if you concentrate first on the rhythm. I came across an article that deals with the pinnacle of old school rhythm. If you want to know how to construct a groove you can’t lose if you study James Brown. Here’s an interview article with Clyde Stubblefield the original ‘Funky Drummer’. It’s an interesting read (or listen):
How about a clip where Stubblefield gives a live demonstration of how the beat originates:
And now hearing the beat in a bigger context:
You could put a political speech on top of that and it would still be funky.
So what else is new? Velvet Wrinkle Wreckerds and ERP have new T-shirts!
What do these things have in common? Ummmmmm…..does it really matter? Not really!
– Happy Winter –
It appears that the eclectic collective Steaming Mulch has finally spit out a new tune. We never quite know what we’re going to hear, but that makes it all the more interesting. The word is that there are more song partials traveling around the studio at ChurchHouse, so we should hear the next one soon……ish. Their sense of time does not mesh well with the real world. As always your guess is as good as ours as to the origins of the title (go ahead, guess. we’ll wait…………).
In the meantime…
‘Enormous And Turbo Smooth From Diamond To Rose’
Well, thought we’d throw everyone some free swag considering it’s the holidays (any holiday you believe in is fine with me). So we recorded a cover from one of our favorite bands, The Gun Club and put it on SoundCloud for you free. So you can have ‘Ghost On The Highway’ for your listening pleasure as a download (did I mention it’s free?). We had a lot of fun recording it – it’s pretty much a ‘studio live’ version. Hope you enjoy hearing it as much as we enjoyed doing it.
– Pass it along to all your friends – (hint – it’s free)
Here’s the newest single from Velvet Wrinkle Wreckerds eclectic collective Steaming Mulch. We never really know what we’re going to see from them until the song is finished. As always with our group of friends it was recorded, mixed and mastered at ChurchHouse Productions Studio. It’s for everyone who’s had to find their way out of their own personal ‘Mordor’.
Yo, Mel – this one’s for you.
Pulled one out of the vault – yes, we did. This song was recorded in early 2000 with the original studio lineup of a band that recorded here, Conduit.PA. It was not released on the album and Barett (our recent addition to the fray here at ChurchHouse) remastered it. Thought it was worth putting out for a listen.
For those of you who have never heard the original song, or the band, they are certainly a blast from the past – Medium Medium. Let us know what you think.