Welcome back to Messin’ With The Music. For this episode we’re covering The Hives ‘Hate To Say I Told You So’. It was originally released as a single in 2000 and is from their album Veni Vidi Vicious. It’s a straight ahead garage rock style song although it has cleaner studio production than you would expect in a lot of songs that fall in to the garage rock category. As with a lot of garage rock songs it’s built on a straight forward beat. There’s a single chord pattern that is used throughout the song with another chord added during the chorus. When you keep a simple chord pattern like that, changes in dynamics are used to make the song more interesting. In this song the dynamic changes are accomplished by adding multiple layers of guitar with different effects such as crunchier distortion. Other areas will drop out the guitar totally to change the dynamics. The vocals also add to the dynamics by being very rhythmic. It’s a fun song to crank up the electric guitar and play along with.
The challenge with doing an acoustic version of this type of song is how to keep a strong rhythm going without the use of a drum kit. In this case we decided not to put any percussion instruments in the song except for a small break in the beginning. A lot of the rhythm during the song is created by playing arpeggios on the mandolin part. There are two acoustic guitars playing the basic rhythm and are panned hard left and right to create the foundation tracks. There is a twelve string guitar that sometimes single strums the chords and sometimes follows the pattern of the other guitars. This was used to change the dynamics throughout the song. Bass is added to give more bottom end. A banjo part is added in a couple of different places for more dynamic change. For those new to this series we followed our basic principles: Play the tracks straight through and use the same single mic for all the tracking.
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Electrostatic Rhythm Pigs play ‘Hate To Say I Told You So’:
Welcome to 2022! Another year has flown by. At this point I can’t say whether that is good or bad. Some things I wished would last forever (think vacation hiking, making music, friends and photography). The rest of the year? Meh. I was hoping the general tone of our world would improve and it sort of did, but just a smidge. We should certainly be able to do better. So we’re going to start 2022 on the blog by looking back. As we were searching through our files at the end of the year, we came across music that has never really seen the light of day. We decided to start releasing some of it online and began the ‘From The Vault’ series towards the end of last year.
For this edition of From The Vault we have a song recorded at the crossroads of Conduit changing in to Electrostatic Rhythm Pigs. We had a number of songs we were working on and decided the best idea would be to record live versions of them and work on production versions of them later. But for anyone who writes songs, you’ll recognize how you’re constantly coming up with new ideas and sometimes the older ones end up disappearing under the layers of dust. So ‘From The Vault’ is blowing the dust off and tossing the songs in to the light. This song is titled ‘No Class Lines’. When we recorded this live version the band was a three piece. The bass part was overdubbed later. Another thing I find happens when you’re recording live is your beats per minute starts to have the zoomies. The production versions often slow down a bit because you’re working with a click track. But not always. So this could have ended up slower, but……it could have been faster. We’ll see if we ever decide to do a production version. For now, I hope you enjoy the tune.
We’re back with another live in the studio performance by Electrostatic Rhythm Pigs. This time we’re playing ‘Truck Stop’ which was recorded for our last EP ‘Celebrity Prostitution’. As before we’ve stripped everything from the original recording except the bass and drum tracks. As a two person band this allows us to video a live performance. We do this as simply as possible. The vocals were recorded with a Shure SM58 mic, which is what we would usually use for vocals playing live. The mic goes in to a preamp then a compressor before hitting the mixing board in to the multi track software. For the guitar in this video I decided to use a direct in amp emulator to go in to the mixing board. The only settings used on the amp emulator were for treble, bass and mids, just like you would set up on an amplifier. I’m using a ProCo Rat distortion pedal and a digital delay pedal, the same ones I would use playing out live. To keep the live feel there are no cuts, punches or any multi takes on the video or audio. The original recording used multiple vocal tracks mixed together to keep a full sound. The studio mix guitar had multiple tracks as one guitar take would go to two amps covered by four microphones with each mic going to a separate track. Having a variety of sounds to mix gives a lot of latitude when you’re trying to get a real good guitar sound on a studio mix. The lead guitar in the studio mix is recorded separately. I did remix the drums and bass for the video to fill and match better with the live vocals and guitar as well as adding some EQ and reverb to the vocals and guitar. I like having the video show us actually turning the video recorder on and off. You really do get ‘live’ start to finish.
Electrostatic Rhythm Pigs play ‘Truck Stop’ live in ChurchHouse Studio
While I’m on vacation hiatus, we thought we would showcase another Velvet Wrinkle Wreckerds track that many people probably haven’t heard. ‘Drain’ is another great track from The Flank’s album ‘At Stake’ that we released several years ago. Up until now it’s been housed on our Soundcloud account which many people who are following this blog may not be familiar with. We’re adding the song to our YouTube station where we’re showcasing most of our music now. We’re building up a large amount of new tracks with Velvet Wrinkle Wreckerds artists that are in the works. When I get back from our much needed vacation/adventure/retreat I’m hoping to hit the ground running, live in the studio the rest of 2021 and have a bunch of new material that will be released in 2022. Bedsides the music we’ll be working on releasing more videos. We’ve got an ambitious agenda, let’s hope the rest of this crazy world doesn’t implode and we can release the creativity.
Here’s ‘Drain’ from The Flank:
There’s a lot of good things about having your own studio to record in. You can work on anything you want, anytime you want. You can take your time recording your own music and not have to worry about how much money you’re spending, giving you the ability to experiment. We’ve been having a lot of fun working on cover songs and have been able to create them at our own pace. We’ve also been able to create videos of us playing our own music live. Since the band consists of the two of us, playing in the studio gives us the ability to record some tracks ahead of time then play the other parts live along with the recording for the video. The song in this video, ‘Countdown’ was recorded for our EP ‘Celebrity Prostitution’ (it’s available to buy as a digital download on CD Baby and other places – you can check it out on the Velvet Wrinkle Wreckerds label website). Because the original recording was made in ChurchHouse Studio, we’re able to use parts of it for a live video rendition. The original EP version had multiple tracks of vocals and guitar. For this video we stripped all of that off and just kept the bass and drum tracks. So what you see in the video is literally what you would hear from us playing out live. There’s no overdubs or punch ins on the vocal and guitar tracks. Just turn on the video and let it rip. We did the video on a simple GoPro recorder which gives you that ‘fish eye’ wide view along the edges. We had a lot of fun recording this way.
Here’s Electrostatic Rhythm Pigs playing ‘Countdown’, live in ChurchHouse Studio:
We have another Electrostatic Rhythm Pigs ‘Live In The Studio’ performance for you. This time we recorded a live version of our song ‘The Wish’. This song was originally created with our previous band Conduit for the CD ‘Superior Olive’. You can find out more about the band and the CD version by visiting the website for our record label Velvet Wrinkle Wreckerds. The version in this video is performed with just vocals and acoustic guitar. That’s how we write most of our songs, so this gives you an idea of how we start out with a tune before we add all the other parts for the full studio version. This version is recorded with just two room microphones. We want our blog reading friends to have the feeling of sitting with us in the room as we play, so the video is live start to finish from turning on the camera to the end, comments, silly faces and all.
And….the story of the t-shirt. For anyone who’s not from the northeast US, ‘Live Free Or Die’ is the state motto of New Hampshire – it’s also on their license plates. New Hampshire is an awesomely beautiful state, so I wanted to give a ‘shout out’ in the video like when I wear national park t-shirts (please support and cherish your national parks). I always thought it was such a cool motto to have on a license plate. If you want great hiking, head to the White Mountain National Forest. Some wonderful, rock strewn trails to challenge you. I’ve included a photo from the last trip my wife and I took below .
Anyway, here’s the video – Electrostatic Rhythm Pigs performing ‘The Wish’ live in ChurchHouse Studio.
We’re back with another tune from our Messin’ With The Music series. Instant Karma! (the exclamation point is officially part of the title) was released by John Lennon in 1970. This song came out at the same time The Beatles were working on Let It Be. One interesting fact about the song is that it was written, recorded and released within a period of ten days. That’s an incredibly quick turnaround, especially for an artist at that level of success. It’s always been my favorite Lennon solo single. The idea that karma, ‘you reap what you sow’, could happen instantaneously rather play out over the remaining course of your life is a very appealing idea. The power in Lennon’s vocal always felt like a big middle finger to every self centered person who screwed other people over. Karma, of course, works in both directions. I also find the idea that people who do good will receive good in return appealing. Personally I wouldn’t mind seeing instant karma doled out for much of what happened in 2020 (and continues to happen in 2021).
We kept with our usual Messin’ recording protocol using single mic straight through tracking. We did put in a pretty full roster of tracks for this song. The original was Phil Spector produced and used multiple piano takes for it’s basic feel. Spector was famous for his ‘wall of sound’ methodology and it shows in this recording. The original was also swimming in reverb to make it sound even bigger. For our base tracks we used finger picked acoustic guitars and recorded two separate tracks, panned hard left and right. There are two separate mandolin tracks, one using mostly chords and the other generally picking single notes. A third mandolin part plays a little riff in the instrumental break. We added a bass guitar track and a sparse single note oriented banjo track. Percussion tracks include tambourine, shaker, washboard and wood block. There’s a main vocal track with a harmony vocal floating underneath in the verses. We wanted a bigger sound in the chorus in keeping with the feel of the original so we have a main vocal and four other vocal tracks that are panned in hard stereo to give that bigger feel.
I really enjoyed finally being able to do a cover of this song. We hope you enjoy it too.
Electrostatic Rhythm Pigs play John Lennon’s ‘Instant Karma!’:
Last time we released a new song by Steaming Mulch they said they were going to come back in to the studio soon. It usually takes them a while to get together and bring a new idea in for recording, so I was very pleasantly surprised when they said they had a new tune ready. The entire song was finished pretty quickly. The band usually has a basic song idea and comes up with the parts and riffs as they work on it. The new song already had the basic structure and instruments decided before we started recording. This made the recording process a bit different than usual, but just as much fun. After we finished recording they said they wanted to have a video for the song. Another great surprise as we usually use a static photo for their videos. As with their static photos they said we could do whatever we want. Ah, carte blanche to create! So we put together some footage for the song. They, of course, came up with the song title – pretty much keeps with the style of title they usually come up with. Hope you all enjoy listening to the song and watching the video as much as we enjoyed creating it.
Here’s Steaming Mulch and their new single ‘Whisper Beneath Me After Proto Essential’:
We’re finally back with another episode of Messin’ With The Music. It’s been quite a while since we were able to get together to start working on tunes again due to the pandemic. It feels great to be recording again and Mule Skinner Blues was a song we’ve been looking forward to finishing. The song has a long history. It was written and first recorded by Jimmie Rodgers in 1930. His version was a pretty straight forward blues tune. He originally titled it ‘Blue Yodel #8’ but it became commonly known as Mule Skinner Blues (or some variation of that) as time went by. Many artists have covered this classic song. The next well known version was by Bill Monroe in 1940. He picked up the tempo a bit and turned it in to a classic bluegrass style tune. The version we used as a template is Dolly Parton’s amazing 1970 version. We pretty much followed her lyrical take and song structure.
Instrumentally we have two different acoustic guitar parts, one hand played and the other picked. To add some flavor we added an electric guitar with some effects and a bass part that has a few effects too. There is a mandolin backing these parts and a banjo riffing throughout the song. There’s also a snare drum and floor tom holding down a beat in the deep background. All of the instruments are a platform for the vocals which are really the heart of the song. As always with Messin songs we recorded ‘straight through’ tracks for a live, loose feel using the same mic and sound path for all the instruments. We want to get the feel of everyone standing around a single mic playing the song.
Here’s Electrostatic Rhythm Pigs playing ‘Mule Skinner Blues’:
We’ve finally been able to get back in to the studio to start working on recording. We decided to start with a live video performing one of our original songs. ‘Details’ is a song we first created when we had the band Conduit. The song had a bit different origin as it was written from the bass line up. So for the album version we started with bass and then vocals with the other instruments being added afterwards. Writing this way definitely gives a song a more rhythmic feel. The song was originally on the Conduit album ‘Superior Olive’. You can find it and the other songs on the album on our Soundcloud account – there’s a link on the blog page. You can also find more about Conduit on our label site – Velvet Wrinkle Wreckerds. For this version we recorded guitar, mandolin, banjo and some percussion first. These tracks were recorded in live fashion – no punch in, straight through tracks. Since the song was written from the bass and vocals, we decided those would be the instruments we would play on this video. The video is also ‘live’ – no edits. As an FYI – you can ‘follow’ our blog. Just scroll to the bottom of the post page and fill in ‘Join The Mailing List’. You’ll get an email whenever we do a post. You wont be swamped with emails – we do a couple posts a month. As always comments, questions and suggestions are welcome.