The year that wouldn’t end is officially over. We’re all going in to 2021 with hopes and plans that we can accomplish some positive things. We received a new track in November from Steaming Mulch with the goal of seeing more this year. We’ll be replaying some of their older tracks while new ones are being worked on. We also came across some unfinished tracks from The Flank, another band on Velvet Wrinkle Wreckerds (Note – you can find more info on the bands on the label site velvetwrinklewreckerds.com as well as songs on our Soundcloud site). We’re hoping to finish those tracks this year and thought we’d dig in to the archives (it’s been quite a while since the last album release) and give you a sample of The Flank material. We’re starting with ‘Something Better Be’ which is the opening track on the album ‘At Stake’. I’m really looking forward to working on the new songs as they headed in a different direction from the first album which is always exciting.
Here’s ‘Something Better Be’ from The Flank:
There are other projects in the works for 2021 since some situational changes may allow us more time to work together. New original music is in the works for Electrostatic Rhythm Pigs as well as more Messin’ With The Music covers and some live In The Studio performances as well as more In The Studio ‘tech simplified’ videos. We’re looking to have some t shirts and other merch available. There’s even the possibility of another band coming in to Velvet Wrinkle Wreckerds. Bonnie and Samantha are certainly happy to see a new year so we’re starting with some dreams and the hope that this year will allow us to make them reality. We’re hoping you’ll join us in this 2021 adventure (and bring your friends along)!
This episode of In The Studio describes the basics of microphone functions and the different types of microphones. As with most episodes of In The Studio, I’ve tried to keep this from being overly technical. Since there are literally thousands of YouTube videos and blogs that are made for tech heads, I wanted to put out content for people who may not be deep in to the subject, but are interested in how recording studios work. So this video is set up like a conversation between me and you. This video is straight from the camera without editing software. As always, please feel free to comment or ask questions – discussion is always welcome.
So we’re at the end of another year. Seemed much longer than a year. As always there was good and bad; ugly and beautiful. This was a year when I decided to consciously cut back on the ‘noise’. All the stuff swirling around that destroys creativity. Sooo……Newspaper – dropped. Cable TV – dropped. Staring at phone feeds – ehhhh…..work in progress, but improved. Have a basic idea of what’s what without drowning in it. There’s so much to do musically and with the site, and I needed some energy to work on it.
So my wife Lorena and I ventured to the national parks to do some hiking and photography. Two weeks in the parks works better than years of meds or therapy for me.
I even got to work on my ‘dislike’ of heights. Seems if you add jaw dropping views, my brain tends to ignore the height.
So when we returned at the end of September, I got back to work. Three features that were started – ‘Grapevine’, ‘In The Studio’ and ‘Messin’ With The Music’ will continue in to 2020. We’ll see what else we come up with. There are a bunch of new Electrostatic Rhythm Pigs original songs in the works. We may even get a new tune from Steaming Mulch. And we’d like to get more eyes and ears on ChurchHouse Productions. More contact with like minded folk (hint – tell your friends).
So ends our yearly update. Hope your 2019 was great and your 2020 will be better.
Welcome to Episode 8 in the ‘In The Studio’ series. Today’s topic is how to create mixing options for yourself during the recording process. A couple things to add about the process in the video. In the video the guitar sounds you hear have not been EQ’d on the mixing board. You can magnify the differences in sound by tweaking the EQ on each microphone using the mixing board. You can also add more diversity by adding effects units in the line between the guitar and amp (this will make more sense after you watch the video). As always if you have any questions or ideas, let us know.
Grapevine will be a new feature we’re going to try to do on a monthly basis. It will contain info about things we come across and would like to share with our readers. Most times, it will feature bands or songs that make an impression on us. Some will be new, some may be old but we’ve just found them. We don’t do reviews. These are songs (or some other media) that we like and why we like them. It may be the recording, the song style or feel, the instrumentation, arrangement or the attitude. We may also look at videos, photos or whatever excites us at the time. Who knows how it will evolve?
Spielbergs – ‘Five On It’
Great recording, sounds kind of lo-fi style, but with all the instruments a clear part of the mix. Vocals are mixed in low enough that they have an instrumental feel, another instrument in the mix. The kind of songs I listen to cruising around backroads with the windows open singing along. Love the guitar crunch. This song is from the album ‘This Is The End’ and hearing the whole album straight through is a great listen. Some songs add a little shoegaze feedback guitar to the mix.
Strand of Oaks – ‘Weird Ways’
The songs starts with vocal and just some background guitar. Really makes you listen to the lyrics. Excellent clear vocal sound. When the band kicks in the song goes up a notch without losing the vocals. Really like the clean drum sound. The song structure works with the interlude in the middle and the kick back in to the song. Super headphone music.
I’m adding a second song from the same album ‘Eraserland’. If for no other reason – the sonics of the slide guitar. Why do I so love melancholy?
The Devil Makes Three – ‘Chains Are Broken’
My reason for this song is pretty obvious. Live. In. The. Studio. Acoustic. Does it get any better than that? So simple, so beautiful. If you can pull someone in using that format, you got it going. This version sounds a bit darker (and I do love darker) than the album version that has drums and more production. Second guitar part bites a little better on the studio version. Pretty cool that it kicks in both versions.
Hey, if you like this too, let us know.
The idea of an ‘Inspiration Point’ always reminds me of standing on the edge of a canyon and looking down at the beautiful scenery below. Or shouting in to the canyon and hearing an echo come back. Here’s an In The Studio version of our indoor inspiration point (Episode 6):
We also have three new ‘Messin’ With The Music’ songs in production and hope to have something out soon.
Without further ado – here is our latest release of the music video for Acetone… gotta love trains.
You can also listen to the song here on SoundCloud:
As we work with more acoustic instruments and try different techniques to record, we want to take you all along on the ride with us. Our first installment was in the post ‘Start At The Beginning’ where we worked our way through an acoustic version of Ween’s ‘It’s Gonna Be A Long Night’. In this post we take a similar path with The Cure’s ‘The Lovecats’.
We’re starting our recording journey with the most basic recording steps. Each instrument is recorded with one microphone (sometimes using the same mic and setup for multiple instrument tracks) and we’re recording one take for each instrument (other than vocals where we’ll usually have more than one track). We do some punch ins, but for the most part keep it as ‘live’ sounding as possible. In other words we’re not going to edit or digitally fix every string squeak or change in dynamics. It’s an attempt to see what we get if you go back to a time when studios couldn’t digitally enhance or ‘fix’ every little blip. What you play is what you get. As we go along through the songs we’ll describe the changes and additions to the recording process (adding electric instruments and multiple takes will come in to play in future recordings).
As you listen to ‘The Lovecats’ see if you can pick up the instruments that were tracked: acoustic six string guitar, five string banjo, six string banjo, mandolin, twelve string guitar and fretless bass guitar. Hope you enjoy our version. In the meantime, we’re already working on the next song.
– ‘The Lovecats’ by The Cure:
Just wanted to throw out a few thoughts on some items I think deserve some ink. The kind of wonderful distractions from the ‘real world’ that keep me going.
Always a great pleasure to drop in a new track from The Record Company. For your listening pleasure, ‘Life to Fix’:
An introduction to some of the invaluable staff at ChurchHouse Productions. I’d like you to meet our ‘in-house’ Public Relations staff:
She’s been a wonderful greeter and is a 24/7 studio pup. Bonnie loves to spend time in the mixing room.
And never hesitates to let me know what she thinks of a mix.
I believe the feedback was “I’m outta here…”
Besides being the owner of the famous ‘hound howl’ she’s a fanatical lover of David Lynch movies.
Although the aftermath of her watching a movie puts her in a bit of a ‘Lynchian’ mood (“this bed belongs to me now”).
Love them both and ChurchHouse wouldn’t be the same without them.
Shout out to a wonderful, old fashioned record store in Jim Thorpe, Pa, Soundcheck Records. The kind of place I grew up with and sadly are hard to find in today’s world. Let’s cross our fingers that vinyl and stores like this make a big comeback. If you’re up in Jim Thorpe it’s a must to check out.
We’ll be rolling out another song at the end of September. We’ll keep the title a surprise until then but as with the last song, we sort of broke it down and did some rebuild. Gotta have some fun.
Time has a way of passing us all by. Blink and another year passes. Close your eyes and who knows when you’ll wake up…… I felt that I was in the creative equivalent of neutral for a few years. Lots of ideas, not a lot of execution. So at the end of 2017 we decided to try something new for both the writing and recording process. Americana, bluegrass and ‘old time’ country have added a lot to our listening lists for a while now, so the idea of using more acoustic instruments made sense.
The voicing of the variety of acoustic instruments makes all of them very audible in a song mix. Two acoustic guitars might step on each other, but add mandolin or banjo and they stand out. Hand percussion. Twelve string guitar. Fretless bass. Whatever’s laying around. Oh, we’re not abandoning loud, reverby feedback guitars. Just stirring it all in. You might associate the acoustic instruments with bluegrass music but we’re not looking to work in that style. Or maybe yes. Anything’s possible.
So to learn how the instruments sound together, how to arrange the songs, how to do mic placement, what pre-amps to use, what effects, etc, etc, we decided to re-imagine some cover songs we like. Some of the songs will be quickly recorded, some will have more production. We’ll also be starting to work more with video, both ‘live’ and produced. In the mean time we’re writing and recording new original material. Stick around, it should be interesting.
First song up: ‘It’s Gonna Be A Long Night’ by Ween. Did you ever know one of those “I can drink anyone under the table” types. Ween evidently did. Times 100.
We encourage you to listen to the original versions of the songs we cover. Always good to check songs out, especially if you’ve never heard it before. Hope you enjoy it. Back at you soon.