Grapevine will be a new feature we’re going to try to do on a monthly basis. It will contain info about things we come across and would like to share with our readers. Most times, it will feature bands or songs that make an impression on us. Some will be new, some may be old but we’ve just found them. We don’t do reviews. These are songs (or some other media) that we like and why we like them. It may be the recording, the song style or feel, the instrumentation, arrangement or the attitude. We may also look at videos, photos or whatever excites us at the time. Who knows how it will evolve?
Spielbergs – ‘Five On It’
Great recording, sounds kind of lo-fi style, but with all the instruments a clear part of the mix. Vocals are mixed in low enough that they have an instrumental feel, another instrument in the mix. The kind of songs I listen to cruising around backroads with the windows open singing along. Love the guitar crunch. This song is from the album ‘This Is The End’ and hearing the whole album straight through is a great listen. Some songs add a little shoegaze feedback guitar to the mix.
Strand of Oaks – ‘Weird Ways’
The songs starts with vocal and just some background guitar. Really makes you listen to the lyrics. Excellent clear vocal sound. When the band kicks in the song goes up a notch without losing the vocals. Really like the clean drum sound. The song structure works with the interlude in the middle and the kick back in to the song. Super headphone music.
I’m adding a second song from the same album ‘Eraserland’. If for no other reason – the sonics of the slide guitar. Why do I so love melancholy?
The Devil Makes Three – ‘Chains Are Broken’
My reason for this song is pretty obvious. Live. In. The. Studio. Acoustic. Does it get any better than that? So simple, so beautiful. If you can pull someone in using that format, you got it going. This version sounds a bit darker (and I do love darker) than the album version that has drums and more production. Second guitar part bites a little better on the studio version. Pretty cool that it kicks in both versions.
Hey, if you like this too, let us know.
The idea of an ‘Inspiration Point’ always reminds me of standing on the edge of a canyon and looking down at the beautiful scenery below. Or shouting in to the canyon and hearing an echo come back. Here’s an In The Studio version of our indoor inspiration point (Episode 6):
We also have three new ‘Messin’ With The Music’ songs in production and hope to have something out soon.
Without further ado – here is our latest release of the music video for Acetone… gotta love trains.
You can also listen to the song here on SoundCloud:
As we work with more acoustic instruments and try different techniques to record, we want to take you all along on the ride with us. Our first installment was in the post ‘Start At The Beginning’ where we worked our way through an acoustic version of Ween’s ‘It’s Gonna Be A Long Night’. In this post we take a similar path with The Cure’s ‘The Lovecats’.
We’re starting our recording journey with the most basic recording steps. Each instrument is recorded with one microphone (sometimes using the same mic and setup for multiple instrument tracks) and we’re recording one take for each instrument (other than vocals where we’ll usually have more than one track). We do some punch ins, but for the most part keep it as ‘live’ sounding as possible. In other words we’re not going to edit or digitally fix every string squeak or change in dynamics. It’s an attempt to see what we get if you go back to a time when studios couldn’t digitally enhance or ‘fix’ every little blip. What you play is what you get. As we go along through the songs we’ll describe the changes and additions to the recording process (adding electric instruments and multiple takes will come in to play in future recordings).
As you listen to ‘The Lovecats’ see if you can pick up the instruments that were tracked: acoustic six string guitar, five string banjo, six string banjo, mandolin, twelve string guitar and fretless bass guitar. Hope you enjoy our version. In the meantime, we’re already working on the next song.
– ‘The Lovecats’ by The Cure:
Just wanted to throw out a few thoughts on some items I think deserve some ink. The kind of wonderful distractions from the ‘real world’ that keep me going.
Always a great pleasure to drop in a new track from The Record Company. For your listening pleasure, ‘Life to Fix’:
An introduction to some of the invaluable staff at ChurchHouse Productions. I’d like you to meet our ‘in-house’ Public Relations staff:
She’s been a wonderful greeter and is a 24/7 studio pup. Bonnie loves to spend time in the mixing room.
And never hesitates to let me know what she thinks of a mix.
I believe the feedback was “I’m outta here…”
Besides being the owner of the famous ‘hound howl’ she’s a fanatical lover of David Lynch movies.
Although the aftermath of her watching a movie puts her in a bit of a ‘Lynchian’ mood (“this bed belongs to me now”).
Love them both and ChurchHouse wouldn’t be the same without them.
Shout out to a wonderful, old fashioned record store in Jim Thorpe, Pa, Soundcheck Records. The kind of place I grew up with and sadly are hard to find in today’s world. Let’s cross our fingers that vinyl and stores like this make a big comeback. If you’re up in Jim Thorpe it’s a must to check out.
We’ll be rolling out another song at the end of September. We’ll keep the title a surprise until then but as with the last song, we sort of broke it down and did some rebuild. Gotta have some fun.
Time has a way of passing us all by. Blink and another year passes. Close your eyes and who knows when you’ll wake up…… I felt that I was in the creative equivalent of neutral for a few years. Lots of ideas, not a lot of execution. So at the end of 2017 we decided to try something new for both the writing and recording process. Americana, bluegrass and ‘old time’ country have added a lot to our listening lists for a while now, so the idea of using more acoustic instruments made sense.
The voicing of the variety of acoustic instruments makes all of them very audible in a song mix. Two acoustic guitars might step on each other, but add mandolin or banjo and they stand out. Hand percussion. Twelve string guitar. Fretless bass. Whatever’s laying around. Oh, we’re not abandoning loud, reverby feedback guitars. Just stirring it all in. You might associate the acoustic instruments with bluegrass music but we’re not looking to work in that style. Or maybe yes. Anything’s possible.
So to learn how the instruments sound together, how to arrange the songs, how to do mic placement, what pre-amps to use, what effects, etc, etc, we decided to re-imagine some cover songs we like. Some of the songs will be quickly recorded, some will have more production. We’ll also be starting to work more with video, both ‘live’ and produced. In the mean time we’re writing and recording new original material. Stick around, it should be interesting.
First song up: ‘It’s Gonna Be A Long Night’ by Ween. Did you ever know one of those “I can drink anyone under the table” types. Ween evidently did. Times 100.
We encourage you to listen to the original versions of the songs we cover. Always good to check songs out, especially if you’ve never heard it before. Hope you enjoy it. Back at you soon.
I stumbled across this song from a book I read called Stillhouse Lake, by Rachel Caine – good read and the music she lists at the end is awesome. So check it out.
This is one of the titles I particularly liked – and of course, the lyrics are way cool – the beat is catchy.
Lo Fidelity All Stars – Battleflag (came out around 2008, um, where have I been?)
So on to serious business… I have a great surprise coming out next week from the studio. Got to work with a really great guy and had a great time recording with him.
Until next week, hit play and turn it up!
If you are cruising around the sites, just an FYI this blog will now be the official site for ChurchHouse Productions and the other site (Velvet Wrinkle Wreckerds) is getting some work done. If you go to either of the sites and things are looking weird, just let me know, but more than likely it is due to switching things around and will go back to normal soon. Hope everyone is enjoying Spring!!!! 🙂
Recently I discovered the Dallas-based band (yes I know they have been around a long time – the rock that I lived under didn’t have wi-fi), The Polyphonic Spree. So, I decided to put up a post about them and say that I apologize for being so lame with getting around to posting, but it has been a trying last 6 months or so. Things are starting to turn around now and I figured this would be a good segue to putting something up about the band and saying that I am looking forward to getting back into the schedule of posting with more frequency. Cheers!
We had debated writing an article on this, but felt that it was important to do because if there is anyone out there who can benefit from things we have learned the hard way, it is worth it. While the names of the not-so-innocent have been withheld – the message is clear, so take heed.
We were contacted by a PR firm on the west coast via a social music site. This was their original email:
——– Original Message ——–
Subject: PitchFork Music Festival PR Inquiry
Date: 2014-07-07 23:17
From: The Not-so Innocent
To: Electrostatic Rhythm Pigs
I am trying to reach REDACTED. Not sure if this is a general band email but I had a chance to check out your Electrostatic Rhythm Pigs EPK
One of our music interns turned me on to your profile and forwarded it to me to check out. I’m not sure if anyone on our end may have contacted you yet about our PR Campaign and REDACTED series but I had a few questions that I was hoping to speak to you about.
First off all, I’m not sure if you currently have PR representation but I wanted to set up a conference call to discuss a PR Campaign we are offering new clients that includes a Press Release Campaign, a Two Week Social Media Campaign and a spot on our REDACTED MIxTape Series that will be distributed during Pitchfork Music Festival in Chicago this July. We have two spots still open on our Pitchfork Campaign this month in Chicago so if you are interested, we would need to speak with you this week.
The PR Campaign including the press release Campaign, Two Week Social Media Campaign and the spot on REDACTED is a flat fee of 295.00. Here’s an overview of it:
- A professionally written, approximately 600 word customized press release about your current music related news and artist happenings.
- Automatic submission of your press release to over 7500 syndicated newswires, media outlets and music journalists.
- 20 guaranteed online media placements of your press release in newspapers, blogs, magazines, etc with links provided.
- A money back guarantee that your press release will be error free, published and with 20 verifiable guaranteed placements.
- A spot on our REDACTED. It will be distributed at Pitchfork Music Festival in Chicago this upcoming July 2014. You will also receive download codes and cards that you can use to distribute to your fans at shows and online.
- A 14 day Social Media Campaign. You will be assigned a social media manager who will write, schedule and post compelling material on your networks including Facebook and Twitter.
- Content posted by your Social Media Manger gets tracked and recorded in an easy-to-read report showing you how many retweets, comments and new followers your social content is getting. Also, so you know–REDACTED is not for sale. It is handed out as a free download card to festival goers. We will be handing out over 3500 download cards at Pitchfork Music Festival in Chicago this upcoming July.
YES. They did do this.
NOPE. Never got this.
NOPE. Never got this.
NOT REALLY – press release was error free but never got any kind of “verified placement”.
NOPE. If they did – we never got confirmation of it. Still to this day – cannot find where this supposedly is.
NOPE. Never got this.
NOPE. Never saw any of this, or that it was ever done.
To give you an idea of the quality of press releases we produce and the media outlets where we often secure coverage in, you can check out these links:
REDACTED. Put it this way – we saw like two client testimonials. That should have been a red flag right there.
All of our work is results-driven with a money-back guarantee. Here are a couple of testimonials our music clients have recently given us:
I would love to discuss what your specific PR needs are and the details of this campaign, along with what song we would like to include on REDACTED. I can set up a time to call you to discuss it. Let me know if you have availability this upcoming week and the best number and time frame to reach you at.
Wishing You Success And Nothing Less!
1. ALWAYS get it in writing.
2. Even if you get it in writing, what will you do? Sue them for 295.00? You’d spend more in legal fees – scammers are smart in that regard – low fees mean a lot less likelihood of actually getting sued.
3. Verification of services should be offered at every step – you shouldn’t have to ask.
4. When you call like four times and don’t get a return call, it is probably a good indication that they are weasels, not serious PR providers.