Tagged: ChurchHouse Productions Studio

In The Studio Ep 11 – ChurchHouse Studio Tour

It’s been a while since we did an In The Studio episode. We had some live performance ideas started, but as with much of our lives, that’s temporarily on hold. So I thought we might do some more episodes that simplify studio tech as we did with micing the snare drum. A good place to start would be with a quick overview of the studio. You’ll have to excuse some of the noise in the video – it’s literally live with me picking up the camera and moving around, no post recording editing. You know us – we love running it ‘live’. If you have any questions, comments or topics you’d like to see discussed in future episodes, let us know. So let’s get started……….

Below are some photos referenced in the video. This will give you an idea of how the main control room setup is changeable depending on the task. First two photos are of different mixing/mastering station setups.

Mixing/Mastering Setup 1
Mixing/Mastering Setup 2

A couple of photos of setups using the movable sound panels – Vocal booth and amp separation.

Vocal Booth
Amp Separation

And finally a couple of photos of setups in the big room. All the mic signal goes back to the main control room in to the patch bay shown in the video.

Drum recording session
Full band session

Increase Your Options

I want to share a recording technique that I read about when I started studio work and have used during sessions over the last several years. The idea is to track one guitar performance and end up with multiple tracks with different sound qualities.
To do this we have the guitar running in to two separate amplifiers – to get the best variety use amps with different sound qualities. For the example in the photo we’re using a Peavey amp on one side and a Mesa on the other side. Make sure the amps are separated so there is no bleed over between them. Each amp’s sound will be captured by three microphones. In our example we are using two dynamic mics close to the amp and one condenser mic slightly farther away on each side.

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Each mic will go to a separate track in the recording software as seen in the photo below. You now have six unique guitar sounds you can use throughout the song. In our example we split the guitar signal going to the amps with a stereo chorus effect to allow for a greater stereo field when panning tracks left and right.

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In the final photo below you can see how we used the diverse sounds throughout the song, bringing in different mics during verses, choruses and breaks. You can now accent different parts of the song with unique sonic signatures while maintaining a consistent guitar performance.

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If you have enough tracks on your mixing console you can enhance these changes further using different settings of EQ, dynamics and effects on each track. This simple set up will provide you with multiple guitar sounds to make your track sonically interesting.