We’ve often shared studio set-ups and ideas on our blog and on YouTube videos. I’ve never considered what we do as ‘giving advice’. ‘Advice’ has a connotation of being an expert at something and passing along that expert knowledge…………yeah, no. We try different things and share the ones that work well for us. The important part for us and anybody who’s recording or writing music is try different things. See what works in your space with your equipment. A small change in mic placement can open a whole new sound.
I recently had the pleasure of working with three young musicians from Ohio. Very talented and very enthusiastic about doing music. Working with people you haven’t recorded with before is always exiting – falls under ‘try different things’. Had a great day recording and the mixing and mastering process worked out pretty well. Overall a thoroughly enjoyable experience. And it got me thinking about ‘advice’ again. If someone asks for ‘advice’ about what I think you need to make a good recording:
Tip # 1 (see, still not ‘advice’, just a tip)
Tip # 1 – Record a good song
Tip # 2 – Work with talented people
And there you have it. Pretty simple. I’ve heard good songs with lousy recordings – they’re still good songs. So as an engineer you try to not screw it up. When you mix, highlight the song, no tricks needed. Keep the dynamics when you master. Our recording set-up was even simple. One mic for the vocals and two for the guitar.
So in the spirit of recording good songs with talented people here’s the song we finished that day. The musician is Matthew Bock and the song is ‘Standstill’.
I certainly hope to be working more with these guys in the future. I would guess they have a lot of music in the pipeline.
Pictured below at ChurchHouse Studios Matt, Jared, Grant (l to r).
We recently changed the placement set up for monitoring with our Yamaha NS10M Studio monitors. They were placed further away from the listening point and sound panels were placed at equal distances beside and behind the monitors. The idea was to get a wider stereo feel and to equalize the reflection surfaces around the speakers.
We do use other monitors during the mixing process but I like using the Yamahas for the initial mixing. For quite a while you couldn’t see a picture of a recording studio without seeing a pair of NS10s by the mixing console. Some people love them and some hate them. I like them but you have to know their strengths and weaknesses and use them accordingly. If you’re interested in more of their history, here’s an article from Sound On Sound that has a good discussion of their background:
Since the placement was changed, that meant it was time to redo the room tuning for them. Ahhhh yes, the joy of a night of listening to pink noise. So I broke out the real time analyzer and got to work. Make sure that the mic for the analyzer is positioned in the spot where you’ll be sitting – near field monitors have a tight listening field and accuracy matters. The sound from pink noise will fluctuate, so you have to study the levels while it is running then review the peak capture when you turn it off. Here’s the running sound and peak capture when the EQ going in to the monitors is flat:
NS10Ms tend to be weak at the low end, so the EQ is adjusted accordingly. The process takes a while since when you adjust one frequency it effects the frequencies around it. The final EQ setting looks like this:
Here’s the running sound afterwards (remember running sound fluctuates, so a snap shot at a particular time will not look flat):
The final shot of the peak captures gives a good representation of where we ended up:
I’m pretty comfortable with the flatter EQ at the end of the process. One other tip is to make sure you are hearing equal levels from both speakers so you don’t overload one side when you’re mixing. The real time analyzer should let you get actual equal volumes for both sides. I have some volume hearing loss in one ear – the result of playing in bands for a lot of years (fortunately it is not frequency loss). To check on this take one channel of the song you’re mixing and run it straight down the center of your stereo field while sitting in your perfect center listening spot. If it sounds like it’s coming more from one channel or the other, make the adjustment on the volume of your reference amp. It’s at the end of the sound chain so it equalizes volume for your ears without effecting the balance in your actual mix. I also check the final mix of songs through the Real Time Analyzer so I’m using sight as well as sound to get the frequencies where I want them.
After the NS10 mixing is completed we’ll make any mix adjustments and also do the mastering through the higher end monitors set up in a different listening station. It’s always important to take your time, ‘put the mix down’ and come back to it later for review to get the best results possible. A great song will shine through no matter what, but a great mix will always improve your song.
And because I like to leave a little music for you……..
Father John Misty – “Ballad of The Dying Man”
One of the great things about music is the way it can generate emotions and trigger memories and feelings. I’m particularly drawn to songs that bring out feelings of melancholy. Although melancholy is usually defined as sadness, often with no obvious cause, I also consider the feeling as nostalgic, flooding back memories from days gone by. Do you have any songs you listen to that can bring you to tears? Or bring flashbacks from past experiences? If you really analyze a song that does that for you, is it the chords and notes played? the chord progression? the vocal style? the lyrics? I’ve included three songs I really enjoy that do this for me. Different styles, even different eras, but they wash over me like a river and do what music does best: bring out feelings and memories.
First a song from Kurt Vile, ‘Pretty Pimpin’, that has all the things I love, great finger picking chord progressions, lyrics that make you ponder about your day to day life and a nostalgic feeling of what is my life about and what could it be?
Next a song from Wolf Alice, ‘Moaning Lisa Smile’. Ever feel different, like an outcast? Personally I strove to be an ‘outcast’ in my younger years. I love the feeling of being part of something that most people don’t connect to. Being part of a tribe. Great shoegaze style guitar in the song. Also love the videos of the these songs. I think they do a great job of matching the visuals to the music.
Finally, a song by The Replacements, ‘Unsatisfied’. This song came out at a time my life was in turmoil and seemed to encapsulate everything I was feeling. If you’re not familiar with The Replacements and the album the song is on, ‘Let It Be’ I highly recommend taking a listen. The entire album is a gem. It was the soundtrack of my life for a few years. Listen to the lyrics and tell me you haven’t felt this way at some point in your life.
As a songwriter I live to compose songs that carry this kind of weight. Hope these songs strike a chord in you. Fell free to share any songs with us that do this for you.
Might be a little late for this train, BUT…
This is off their above-titled release, but I gotta say the whole CD is good listening. CD photography is cool and the design was done by the drummer Marc Cazorla and the mix was done by the bassist Alex Stiff. Hard work, good rewards. So on that note (see what I did there?)… you can laugh now. Turn it up, I dare you not to start bobbing your head- seriously.
It appears that the eclectic collective Steaming Mulch has finally spit out a new tune. We never quite know what we’re going to hear, but that makes it all the more interesting. The word is that there are more song partials traveling around the studio at ChurchHouse, so we should hear the next one soon……ish. Their sense of time does not mesh well with the real world. As always your guess is as good as ours as to the origins of the title (go ahead, guess. we’ll wait…………).
In the meantime…
‘Enormous And Turbo Smooth From Diamond To Rose’
Leave it to Les Claypool. How many bands is that man in? He always seems to be looking for something new to do, and here’s the newest thing – Duo De Twang. A down home bass and guitar duo mining the Americana stream. So far they’ve pretty much stuck to covers, some from his bands, some from other folks, but – oh my – what fun covers they are.
First a live clip from Soundcheck with a cover of Primus’s ‘Wynonna’s Big Brown Beaver’. For you bass players out there, sit back and enjoy. This video shows how much ground you can cover playing with two people. For anyone in to recording, amazingly clean sound for a live take.
And just for fun, a cover of ‘Stayin Alive’. There’s a combo for you – Les Claypool, down home pickin’ and disco. Yeee Haaa!
I came across a few interesting 2013 videos in an article I was reading. I like the music, but it’s the videos that are hypnotic. Some pretty cool visual techniques.
Fell free to stare directly at this and end up with your mouth open drooling..
Or you can stare at this and turn 2D in to 3D….
OK – this is the creepiest rabbit I’ve ever seen……
And can’t forget a ‘what day is it’ shout out. No cake and candles but….
Music tech advances as fast as you can blink. Check out this video from Beck covering David Bowie’s ‘Sound And Vision’. The interpretation is cool enough, but the tech behind it is remarkable. It’s the recreation of a 360 degree immersive environment using state of the art recording and an old but not that well known recording technique called binaural recording. Binaural is very different from stereo recording because it takes in to consideration the natural way a human head hears sound. The Sound and Vision project takes your ears in to that natural recording space as well as letting you travel through the video visually. You can now be in the concert space without leaving your home. It won’t be able to replace the full body experience of live music, but boy are they getting close.
Here’s the video:
I’ve also included an article discussing the tech involved:
Saw these guys on Letterman and just had to share it. At this point there may be nothing really ‘new’ or ‘original’ in the world of rock and roll. So what. Doesn’t mean there isn’t a lot of good stuff going on. At ChurchHouse we enjoy and record a lot of different styles – and try to share what we find on this blog as well as info on studio tech, the music business, art and whatever else floats our happy little boat. Watching this made me feel that balls to the wall badassery is alive and well. It’s one thing to do it in the studio but pulling it off live with a classic four person rock lineup…….
– Vintage Trouble on Letterman –