After sending out the October Grapevine last week, I was listening to other music showing up in my internet feed. I came across this video of Tommy Emmanuel. I had heard of him before – he’s pretty well known as a virtuoso guitar player. He’s mostly known as an acoustic guitar finger picker. This video is of him playing Classical Gas, a song that was big when I was younger. My guitar teacher had me learn the basics of it. I watched this video, probably with my mouth open in awe the whole time. Our series Messin’ With The Music was based on trying to redo songs acoustically and pretty much ‘live’ by recording the tracks straight through, showing the sounds you can create using just that format. Tommy Emmanuel takes the acoustic guitar and pushes it to the limit. The speed, accuracy and timing is other worldly. This video shows how much sound and style you can produce with one acoustic instrument. There’s even a guitar bend he does that sounds like a whammy bar on an electric guitar. And the timing in and out of it is perfect. Enjoy.
Welcome to another entry in our Messin With The Music series. The recording of this song comes with an interesting history. ‘How Many More Times’ is a Led Zeppelin classic from their first album. It is also the first song we actually recorded for the series. Electrostatic Rhythm Pigs, like most bands, has gone through a number of band member changes. We had spent a lot of years always trying to have a full band together that was capable of playing live. Each time someone would leave or a new musician came in it’s practically like starting over. We had electronically released our ‘Celebrity Prostitution’ EP, staying with a garage rock, punk blues sound. This time we decided to just work on our own and concentrate on recording. The question became – what style of music should we do? On many sites or internet radio when you post a song you’re asked to pick a style of music it represents – usually from a drop down list. It’s difficult to categorize yourself. I’d much rather let someone else make that call. We’ve never stuck to a very specific style, although I guess you could put it generically under ‘rock’. So, just for fun, we decided to create a category and try to fit some music in to it. Thus was born Dark Americana Shoegaze. We wanted to work on figuring out instrumentation, arrangements and recording. We thought the best way to do this was to start by covering songs (although we do have a number of originals in various stages of completion). That way we could concentrate on aspects other than writing the song – and we’d get to play songs we already really liked.
We didn’t have any pre-conceived recording methods yet, other than keeping a ‘live’ feel – no autotune, no quantizing of drums or other instruments, no cut and paste of parts. With that in mind we got to work on ‘How Many More Times’. There was a lot of structural change to do. We certainly couldn’t copy Led Zeppelin’s eight minute and twenty eight second version. So we cut it down to a number of shortened verses, did a short piece to represent the long instrumental in the middle and another section for ‘The Hunter’. To keep the Dark Americana Shoegaze idea some verses are electric guitar based, some acoustic instrument based and some a combination. The vocal tracks tie all the different parts together. To get a big, full sound most of the instruments and vocals were multi tracked with multiple mics. If you listen you can hear a number of different electric guitar sounds, two bass lines and multiple banjo and mandolin tracks at different parts of the song. We stacked a lot of vocal tracks. When we finished recording we were looking at forty eight tracks. This was going to take a while to mix and master. We decided we wanted to get a song out quickly so we picked another song – ‘It’s Gonna Be A Long Night’ by Ween and moved to what became our more standard method to put it out quicker – one mic, one track for most instruments. That went well so we picked another song, then another, then another. ‘How Many More Times’ went on the back burner. When the pandemic put our recording on pause it seemed like a good time to finally put this song together. I will say that this is probably the ‘strangest’ cover we’ll ever put out, so it may be a ‘love/hate’ experience for listeners. Might do another Led Zeppelin tune in a bit more straight forward fashion in the future. It was certainly an interesting experience mixing it. So here it is. Hope you enjoy it. As always we encourage comments, feedback and suggestions.
We’re back with another ‘messed’ song for your enjoyment. There’s a bit of a story with this one. ‘Seven Nation Army’ was actually recorded before most of the other songs that have been posted. Recording these covers did start with one idea we have maintained with all the songs – recording the tracks straight through to keep it having a more ‘live’ feel. With this song we did what we often do with our own studio songs – record multiple tracks of each instrument for a more ‘full’ sound. So most of the instruments on ‘Seven Nation Army’ were tracked several times (although each separate track is recorded straight through). We also used multiple mics on the acoustic instruments, adding even more tracks.
This tune has twelve string guitar, mandolin, banjo and six string guitar. The percussion is the floor tom from our drum kit and a shaker. Each instrument was tracked several times (except the percussion). Two more mandolin parts were added in the one instrumental section as a ‘lead’ instrument. When we finished recording I realized it would take a while to mix correctly so we decided to record another song without all the multi tracking and multiple mics. And when we finished that song we thought of another, then another……… So it took quite a while to get back to mixing ‘Seven Nation Army’.
As we continue messin’ with songs I’m sure more electric instrumentation while come in to play along with a bunch of other ideas. As always, hit us up with comments and questions if you have any. Hope you enjoy.
Electrostatic Rhythm Pigs play The White Stripes ‘Seven Nation Army’:
So it’s time to throw another tune on the fire. We kept the same setup for this endeavor: same mic through the same pre-amp and compressor right in to the board – do the tracks straight through. To do what we wanted to with this song, we did add a few more tracks. So as you listen you’ll hear: 12 string guitar, 2 mandolin tracks, six string banjo (‘banjitar’ if you must), 5 string banjo, bass, washboard, tambourine, and cajon. We wanted to keep the fun feel so we tracked a bunch of vocals.
Soooooo………what does that give you? Our version of ‘Ballroom Blitz’ by The Sweet. I always thought the idea of Glam was over the top fun. Absolutely, wonderfully ridiculous. (If by some weird space/time issue you haven’t heard the original you must check it out). Hope you enjoy listening to it as much as we enjoyed making it.
You can listen here on SoundCloud too:
Leave it to Les Claypool. How many bands is that man in? He always seems to be looking for something new to do, and here’s the newest thing – Duo De Twang. A down home bass and guitar duo mining the Americana stream. So far they’ve pretty much stuck to covers, some from his bands, some from other folks, but – oh my – what fun covers they are.
First a live clip from Soundcheck with a cover of Primus’s ‘Wynonna’s Big Brown Beaver’. For you bass players out there, sit back and enjoy. This video shows how much ground you can cover playing with two people. For anyone in to recording, amazingly clean sound for a live take.
And just for fun, a cover of ‘Stayin Alive’. There’s a combo for you – Les Claypool, down home pickin’ and disco. Yeee Haaa!
Well, thought we’d throw everyone some free swag considering it’s the holidays (any holiday you believe in is fine with me). So we recorded a cover from one of our favorite bands, The Gun Club and put it on SoundCloud for you free. So you can have ‘Ghost On The Highway’ for your listening pleasure as a download (did I mention it’s free?). We had a lot of fun recording it – it’s pretty much a ‘studio live’ version. Hope you enjoy hearing it as much as we enjoyed doing it.
– Pass it along to all your friends – (hint – it’s free)
Sometimes I think I spend too much time in the studio. Maybe I don’t get out enough. Not sure how I missed this cover version considering I’m a Led Zeppelin and Yeah Yeah Yeahs fan. There is the possibility that someone did tell me about it and I don’t remember. The mind is a terrible thing to waste….. Uhmmm…… Where were we……..
Oh yeah, Immigrant Song…
Pulled one out of the vault – yes, we did. This song was recorded in early 2000 with the original studio lineup of a band that recorded here, Conduit.PA. It was not released on the album and Barett (our recent addition to the fray here at ChurchHouse) remastered it. Thought it was worth putting out for a listen.
For those of you who have never heard the original song, or the band, they are certainly a blast from the past – Medium Medium. Let us know what you think.
Music tech advances as fast as you can blink. Check out this video from Beck covering David Bowie’s ‘Sound And Vision’. The interpretation is cool enough, but the tech behind it is remarkable. It’s the recreation of a 360 degree immersive environment using state of the art recording and an old but not that well known recording technique called binaural recording. Binaural is very different from stereo recording because it takes in to consideration the natural way a human head hears sound. The Sound and Vision project takes your ears in to that natural recording space as well as letting you travel through the video visually. You can now be in the concert space without leaving your home. It won’t be able to replace the full body experience of live music, but boy are they getting close.
Here’s the video:
I’ve also included an article discussing the tech involved:
There’s many questions you ask yourself as a musician as you sludge through your respective day job (bills must be paid). Why am I here instead of the studio? Why do I have a calculator in my hand instead of a guitar? But there’s one question I ask myself more than any other:
Great cover of a Pixies classic from Trampled By Turtles.
” I ask myself – Where is my mind – Way out in the water, see it swimming”
If anyone has the answer to these grand questions of life, please let me know.
I’m Good Enough, I’m Smart Enough, and Doggone It, People Like Me! – Stuart Smalley